For Pinosio, Anatomy refers to the art of observation and self-awareness. Similarly, when we anatomise a garden, we delve into the essence of nature and connect with the beauty that surrounds us, merging with the natural world.
No one is empty. However, we can experience emptiness with our own empty bodies. Nobody is empty but…no…body is empty.
“These works represent lovers, contemplatives caught in their emotional expressions. Expressions such as love which, like the sea and the wind, if it calms us today, supports us and elevates us, tomorrow will be able, in a single instant, to disturb and divide us”.
I usually define Giovanni Pinosio’s way of sculpting by using a paradox: baroque minimalism. Pinosio’s baroque is the sum of minimal, overlaid lines developing the discourse of the body in time and space.
Blending two-dimensional drawing and three-dimensional sculptures in an original way, Giovanni Pinosio tackles complex elements such as the void and the immaterial.
For Pinosio, Anatomy refers to the art of observation and self-awareness. Similarly, when we anatomise a garden, we delve into the essence of nature and connect with the beauty that surrounds us, merging with the natural world.
No one is empty. However, we can experience emptiness with our own empty bodies. Nobody is empty but…no…body is empty.
“These works represent lovers, contemplatives caught in their emotional expressions. Expressions such as love which, like the sea and the wind, if it calms us today, supports us and elevates us, tomorrow will be able, in a single instant, to disturb and divide us”.
Blending two-dimensional drawing and three-dimensional sculptures in an original way, Giovanni Pinosio tackles complex elements such as the void and the immaterial.